Fragrant Heavens

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Contents


  • Aromatic Traditions
  • Energy
  • Essential Oils for Spiritual Connection
  • Fragrant Transition
  • Let There Be Light
  • Multidimensional Bodies
  • Prayers and Meditation
  • Perfumed Angel Wings
  • Purity and Protection
  • Spiritual Profiles
  • Vibrations

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Choosing Essential Oils for Subtle Energy Work- 2

When working with the aura and chakras, the vibration rate of essential oils may be more important than their chemistry, although they are of course related. Another aspect of their chemistry, or rather their molecular shape, is their ability to refract light-either to the left, to the right, or not at all.

The electrical frequency of essential oils can be measured in megaherz, although the reading changes dramatically depending on who has handled the oil. At present, it remains an inexact science, but one of great potential for working with auras and chakras, and the physical body; when these can also be routinely measured and compared to an optimum scale.

Some people lay great store on the colour of essential oils for subtle energy therapy. The colour of oils can vary quite considerably between different species; form clear to yellow, orange, red, brown, green and bright blue. These are one of the best obvious differences between essential oils, and colour has its own vibration, but this is actually a very complex subject, and is discussed later on. Energetic Aromatherapy.

Another difference between essential oils is their viscosity, which leads to an area of difference - evaporation rate - which has an importance when working with the human energy fields. The aura is a part of ourselves that is more connected to the spiritual realms then our physical body.

When thinking in energetic terms, we talk about 'grounding' a person who might be too 'spaced out', almost as if they could float off into the sky; or about 'centering' a person whose energy is dissipated and all over the place; or about 'lightening up' a person who is too 'heavy' energetically.


There's little point in using a grounding oil on someone who is already grounded to the spot, or lightening up someone who is already so light they are practically floating through the ceiling. Few of us have this last problem, however, and indeed, are seeking to 'lighten' up', in the sense of realizing spiritual potential. Really, we want to seek balance, and find the spiritual core that is at the heart of that balance.

The evaporation rates of essential oils tells us something about their quality in terms of energetic frequency. It's not the whole story, but part of it which needs to be considered. In perfumery, the evaporation rate of essential oils is categorized in three ways: top note for quick evaporation; middle note for average rate of evaporation; and base note for slow evaporation, the aroma that most endures.

When two or more essential oils are blended together the story becomes more complex, so in a particular perfume, for example, an essential oil might be classified as one of the components in the 'middle note', and in another perfume it may be a 'top note'. Everything is relative, and when blending essential oils for energetic work that is certainly true.

Each essential oil has its top note, middle note and base note. You can experience this yourself by putting a drop of any oil on your skin and sniffing it immediately, five minutes later, half an hour later and so on. Close your eyes and feel how deep each aroma can be.

To compare the evaporation rate of different essential oils you will need a few smelling strips. These can be made out of any absorbent white paper, or even out of natural undyed material.

Put a drop of essential oil on three strips, choosing one each from the three different evaporation-rate categories, and keep coming back to the strips over a period of time to see how their aromas change. The quicker the evaporation rate, the quicker the aroma molecules have released into the air - and the quicker they can move and influence the auric field. 

Reference: The Fragrant Heavens: Valerie Ann Worwood

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